Archive for Odin

A True Symbol Of Salvation – The R.I.P. Series

Posted in Uncategorized with tags , , , , , , , , , , , , , , , on August 20, 2008 by Kevin Estrada

Dave Pritchard
Armored Saint

Date Of Death: February 27, 1990
Cause Of Death: Leukemia

One thing that you need to understand about my early teens is that local bands were just as big as arena bands to us. We had the great and unfair advantage of seeing many of our local heroes blow up and become some of the biggest names in rock – Van Halen, Motley Crue, Ratt, etc. Armored Saint was next in line and in prime position. Armored Saint went from being the biggest unsigned local band in the San Gabriel Valley to a household name around the country.

During Armored Saint’s rollercoaster of a career, the band faced some serious changes that challenged the future of the mighty rockers. In 1989, the band made a bold decision to replace guitarist Phil Sandoval, recruiting another local hero, Jeff Duncan of Odin. As the new Saint lineup began work on new songs and demos for their upcoming album, guitarist Dave Pritchard was diagnosed with Leukemia. Unfortunately, the aggressiveness of the disease would prevent Pritchard from taking part in the final recording sessions of Symbol Of Salvation.

In a heartfelt move, Sandoval returned to Armored Saint, replacing Pritchard and bringing harmony to the Saint Family. Armored Saint honored Pritchard’s memory by using his guitar solo that he recorded on the four-track demo version of Tainted Past for the final album version that was released on Symbol Of Salvation.

Photographed with my old Canon AE1 Program and a cheap, no name 70mm-210mm f 5.6 lens. Shot on Kodak Ektachrome film.

Pasadena Openers…Odin

Posted in music, photography with tags , , , , , , , , , , , , , , , , on June 25, 2008 by Kevin Estrada

ODIN
Perkin’s Palace
March 16, 1984

***
Part three of a five-part series that I am doing this week on local L.A. bands in the ‘80s that were opening acts on some big gigs at my favorite venue as a kid – Perkin’s Palace in Pasadena California.
***

Odin was fairly new to the L.A. rock scene, but they rapidly built a strong and legitimate following around the rock circuit. Their street cred became undeniable, quickly getting the band added to the big shows – like this one at Perkin’s Palace. At this point, Odin had just recorded their first 7” single, Caution (which I bought that night at the show for $2.00). Despite the homemade artwork and misspellings on the single, Odin looked like a band on the verge.

From 1983 through 1985, Odin’s sound was heavy and fast – pulling influences from bands like Armored Saint and Metallica, but adding the Blues elements of Aerosmith and Van Halen. Odin’s opening act days were numbered, and the band soon found themselves headlining most of the rock venues in Los Angeles.

I was a big fan of this band, their early material was the perfect combination of chuggy guitar riffs and melodic metal hooks mixed with raw, punk rock production. Their 7” sounded like it was recorded in a basement for $10, but this was the perfect sound for this band.

After their first full release, Don’t Take No For An Answer in 1985, I – along with many others – lost interest in Odin as the the band became influenced by the early stages of “hair metal.” Odin drastically changed their sound, their live show, their clothes, their hair, and their overall outlook on music. I was pretty bummed out that a solid, quality band would give in so quickly and jump on the “hair metal” bus, especially after working so hard to gain the respect that they had built. But, for every one of me that they lost, I am sure they gained two or three “hair metal” fans…but that was not my thing.

Legendary club owner,Bill Gazarri, proclaimed that Odin would be bigger than Van Halen, but Odin’s potential remained unfulfilled. A major label deal failed to come their way. But it would be their appearance in The Decline Of Western Civilization Part 2: The Metal Years, that would turn the band into cult metal heroes or the laughing stock of rock, depending on how you look at things.

Photographed with one eye on the camera and one eye looking over my shoulder on my trusty, smuggled in Canon AE-1 and a cheap, no name 70mm-210mm lens. Shot on Kodak negative film.

Help to save and preserve The Raymond Theatre (aka Perkin’s Palace):
http://www.raymondtheatre.com
RaymondTheatre@aol.com
http://www.myspace.com/raymondtheatre

March Of The Saint

Posted in music with tags , , , , , , , , on May 23, 2008 by Kevin Estrada

Armored Saint
March 16, 1984
Perkin’s Palace: Pasadena, CA

This was a big show. Not only because the bill was loaded with four of L.A.’s hottest local bands (Malice, Odin, Sin, and of course Armored Saint), but also because it was Armored Saint’s first gig as a major label band with an LP in the can. The band had been in the studio making their debut full-length LP for Chrysalis Records, so it was many months since Armored Saint had been on stage. They were buzzing – big time. The word was that they were about to be the next big thing out of L.A., and they should have been. This was a huge homecoming for the band and their fans. Armored Saint really wanted to make this an event and have this show stand out.

They put together a very elaborate opening. As the band ripped into March Of The Saint, John Bush came cruising out wearing an entire suit of armor. It looked spectacular. I was so captivated by this stunt that I nearly shot off all of my film right away. Bush could hardly walk in that suit, but he tried his best. Not even one full song into the set, he had to climb out. I was never sure if it was because he was having difficulty walking or if it was the heat inside. Regardless, their once of a lifetime intro sure paid off, at least for my friends and me. This photo holds a very special spot in my heart, as a fan of Armored Saint and as a fan of hard music. It was one of the best shows I ever attended as a teen.

I smuggled my camera in that night – taped to my back, and I am pretty sure my friend Erik smuggled my lens in for me in his massive metal hair-do. I had my system down for shooting at Perkin’s Palace. We would get there early and my buddy Andy would rush in and grab a few seat in the first 5 or 6 rows.   Once the show started, I would stand on the arms of the chairs (they had those old movie theatre style seats) so I could be a bit above the heads in front of me. My best-friend Rob (who was also recording the shows) would keep an eye out for security and subtly lean against me to keep me balanced. I would pop up and down, snapping away when the guards weren’t looking. I could never use a flash, that would be a dead give-away that I was snapping photos from the seat, so I could only shoot when the light was just right on the stage. This is how I really learned to read light and to master working a camera manually.


Photographed with my trusty, smuggled in Canon AE1 Program and a cheap, no name 70mm-210mm f5.6 lens. Shot on Kodak Negative Film.

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